В Кампече открывается выставка «Вечная игра», раскрывающая религиозный и политический смысл майяского спорта

CAMPECHE .- A new exhibition at the Museo de Arquitectura Maya, Baluarte de la Soledad, examines the Maya ballgame not simply as a sport, but as a practice deeply connected to religion, political authority, community life, and the ancient understanding of the cosmos. Titled The Eternal Game, the exhibition opens to the public on September 4, 2026, in San Francisco de Campeche and brings together archaeological objects, explanatory materials, contemporary reproductions, and tactile resources to explore a tradition with more than 3,500 years of history. Evidence for the ballgame in the Maya region reaches back to the Middle Preclassic period, between approximately 1200 and 400 BC. Over time, the activity became closely associated with social and ceremonial life, linking human beings with gods, celestial bodies, natural cycles, and political power. “Through the Maya ballgame, we can understand a civilization that brought together community, power, and a profound interpretation of the universe,” Mexico’s Secretary of Culture Claudia Curiel de Icaza said. She also emphasized the exhibition’s accessibility measures, including tactile resources and braille labels. The exhibition is organized around three thematic sections. “The Sacred Game” considers the relationship between the ballgame, foundational myths, and political authority. “Archetype of the Universe” focuses on the architecture and symbolic meaning of ballcourts. “The Human Game” explores the rules of play, the clothing worn by players, and the activity’s broader social role. Among the archaeological works on view is a fragment of a ballgame ring from Edzná and a head depicting Chaahk from Naachtún Norte. Other objects include an incense burner representing the face of the god L from Río Bec, a vessel from Uxul decorated with imagery associated with Itzamnaaj, and a sculpture of the young maize god discovered at Jaina. The exhibition also brings together a yoke, votive axe, and palma from the Gulf Coast, all objects associated with the ballgame, as well as figures of ballplayers from Jaina. Some of these representations wear elaborate headdresses in the forms of owls and deer. One of the exhibition’s central concerns is making archaeological heritage accessible beyond traditional visual displays. A group of 3D-printed reproductions can be explored through touch, including a life-size replica of the sculpture of a prisoner from Cumpich, reproductions of Stelae 2 and 6 from Edzná, and a column from Xchan. The tactile works are accompanied by braille labels, allowing blind and visually impaired visitors to engage directly with the shapes, volumes, and details of the objects. The same resources are intended to create a more interactive experience for younger visitors. A reproduction of a ball made with modern materials further illustrates the symbolic dimensions of the game. For the ancient Maya, the ball’s movement could evoke the passage of celestial bodies, while the game itself reflected pairs of complementary opposites including day and night, life and death, drought and rain, and heat and cold. The court, in turn, could be understood as a space of passage between the earthly realm and the underworld, giving the game a cosmological significance that went far beyond competition. Political authority was also closely tied to the ballgame. Rulers could participate as part of their ritual responsibilities, while games could serve to reinforce political power, establish alliances, address conflicts, and strengthen relationships between cities. Among the most significant works in the exhibition are panels depicting ballplayers from Structure K2 at Uxul. Shown publicly for the first time, the panels provide evidence of the close relationship between Uxul and Calakmul and demonstrate the role the ballgame could play in strategic political alliances. The opening program on September 4 begins at 5:00 p.m. with two lectures: The Ballgame Among the Maya: Iconography and Political Implications, presented by Adriana Velázquez Morlet, director of the INAH Center in Campeche, and Ballcourts in the State of Campeche, by archaeologist Sara Novelo Osorno. The Eternal Game will remain on view at the Museo de Arquitectura Maya, Baluarte de la Soledad, through March 2027. The museum is open Tuesday through Sunday from 8:00 a.m. to 5:00 p.m.