Новая пьеса Нэнси Гилл в Дели исследует угрозу искусственного интеллекта для живого театра

Mandi House: Assessing the Threat of AI on the Live Stage The narrative follows Pradeep, played by Abbas Syed, an older theatre owner struggling to keep his venue operational as surrounding spaces convert to high-tech, algorithm-driven setups. Set in the near future of 2030, Mandi House, Nanncy Gill’s new play, arrived at the Shri Ram Centre this week after two runs in Mumbai. Written, directed, and produced by Gill—who also performs in the lead ensemble—the production takes a direct look at how rapid automation and digital systems are pushing traditional live theatre out of the market. The narrative follows Pradeep, played by Abbas Syed, an older theatre owner struggling to keep his venue operational as surrounding spaces convert to high-tech, algorithm-driven setups. Syed plays the character with a quiet, stubborn frustration, insisting that unscripted human performance cannot be replaced by machines. The dynamic shifts when two Gen-Z consultants, Santy and Kiara, are brought in to modernize the hall’s operations. Gill takes on Santy, playing the character with a pragmatic, business-first energy rather than a broad tech-bro stereotype. Santy genuinely views technological integration as the only realistic path for the venue’s survival, creating a believable clash with Pradeep’s traditional values. Kaushik Prajapati, as Vishal, turns in a high-energy performance opposite her that keeps the narrative moving, while Kiran Bhivagade, playing Kiara, brings a chirpy energy to the role that drew plenty of laughter and warmth from the audience. Jyoti, playing Pradeep’s secretary, brings a grounded presence to the supporting cast. What makes the production particularly engaging is the way it handles such an important and intense subject through comedy. The humour makes the ideas easy to follow without taking away from their seriousness, allowing the audience to enjoy the play while still connecting with its emotional core. There are moments of laughter as well as moments that leave members of the audience visibly moved, with some watching the final scenes with tears in their eyes. The staging remains clean and focused primarily on the dialogue and acting choices. The curtain call brought a strong, sustained response from the Mandi House audience, showing that the play’s question about the survival of human connection on stage connects with today’s theatregoers. ( Source : Deccan Chronicle ) Next Story