Египетская художница Фадува Рамадан представила в Бахрейне инсталляцию о хрупкости жизни и вечном обновлении

Inspired by blooms, an Egyptian artist has brought to life the beauty and fleeting nature of a single flower as a metaphor for existence, memory, transformation and renewal, at her ongoing exhibition in Manama. Fadwa Ramadan is showcasing her collection, In My Garden… A Flower, as part of the 18th edition of the Downtown Culture Hub. Presented by contemporary art platform Art Concept in collaboration with Downtown Rotana hotel, the event reflects the organisers’ commitment to supporting local artists, nurturing creative talent and promoting cultural engagement. “This is not my first time exhibiting in Bahrain. However, I have never visited the kingdom and I hope to do so soon,” Ms Ramadan told the GDN. Explaining the concept behind the collection, she said each petal carries an emotional imprint, capturing a moment in time, a memory or an experience. “Through my work, I aim to capture this connection, preserving the beauty of nature while allowing it to evolve into something new,” she added. The visual artist and art critic, who is a member of the Egyptian Syndicate of Fine Artists, has extensively showcased her work both in her country as well as internationally. Her past exhibitions in Bahrain include Beyond Languages I in 2021 and Beyond Languages II in 2023. She also previously displayed In My Garden… A Flower at Bin Mattar House in Muharraq in 2025. The striking collection is now on display at Downtown Rotana’s Lobby Lounge and explores the relationship between form, material and emotion through collages, paintings and objects. While rhythmic circular compositions evoke the idea of a flower in the mind of the viewer, the creative talent invites spectators to go beyond the vase, using individual artistic elements, all reflecting the complexities of human relationships. “I love the circular form and draw inspiration from it for my visual elements because the circle offers a sense of fluidity and completeness. Sometimes I depict it as a flower, and at other times as organic and geometric forms. The circle can also inspire stars in the sky and many other shapes, allowing me to express myself with complete freedom,” explained Ms Ramadan. Her body of work also includes critical writing and her articles have been published in newspapers and cultural publications. The artworks are created using ink and watercolour (aquarelle) on paper, with a largely monochromatic aesthetic that reflects the artist’s signature style. “I use only two colours: black and white. Recently, I have also introduced gold and threads into my work. I limit my use of multiple colours because I believe that the choice of colour and form gives the artwork greater strength. Simplicity removes the need for an excessive number of elements or colours. Therefore, I use abstractions to express the subjects and ideas within me,” she said, adding that language plays an important visual role. Written text is fragmented, layered and reassembled as a visual and textural element, in the Amazigh language, which the art history major first encountered during a visit to the Siwa Oasis in 2014. She further explained that torn and pasted sheets of paper symbolise different stages of existence, with each act of deconstruction and reconstruction suggesting transformation and a new beginning. Through her work, the artist hopes to invite viewers to consider the passage of time, the beauty of impermanence and the continually evolving nature of art and life, in keeping with the core of her work – the belief that every ending creates the foundation for renewal. Currently, Ms Ramadan is preparing for an upcoming exhibition in Egypt, based on a new experience she recently underwent, as well as other international events. “I am trying to shape this experience into artworks that reflect my feelings and impressions of it,” she added. The exhibition will run until September 27. [email protected]